Thursday, 27 June 2013

The plan so far...

Dear all
As we've been interrupted even more (!), I thought it would be wise to share the plan as well as today's lesson.
Do what you are told on the final slide.
Make sure you see me for your feedback at the end of assembly; if you miss this, I can get it to you in Friday's lesson.
On Friday, I will set you you some cover for your lesson without me - ensure you use this time judiciously.
On Monday 8th of July, you'll plan and peer assess your work. I'll also be there to answer any questions etc.
Thursday 11th July you'll sit your CA and you will complete it on Monday 15th.
If you've not finished it here,  it'd be less complicated if you come after school so you can get it out the way. I have other plans for our final Monday lesson. I also think that you should easily complete this in two hours though and will not need to come after school: it's an 800-1000 word essay.
Please share any good articles in the comments box.
Best wishes,
Ms


Wednesday, 26 June 2013

This week so far...

Hi
Right - today and yesterday we looked at debates and have evaluated some sample essays. Here then, we found that there are a couple of things that students have missed: some analysis of data and links to debates around spoken language. The report on Controlled Assessment (AQA) also said that student missed the latter point here: debates. Reassuringly, they also said that students are more successful in this task if they use their own data. This knowledge should help you evaluate your own responses as you go. We also found that, actually, this is quite a simple task - I think the class were reassured looking at these essays. Leave a comment if you disagree!

Thursday, 20 June 2013

Homework

Hi guys

Your homework this weekend is to write a transcript of a verbal conversation. It will take a while to write up just a couple of minutes.

Here is a guide. You could also add in some further non-verbal features if you can too. If you do this, do one layer of purely verbal exchange and add a second layer of non-verbal in a different colour.
You must have a transcript of verbal dialogue and you could go further by including the non-verbal.

Let me know if you have any problems.
Ms

The guide is in your booklet, but is also here:
Pauses
(3)
These are indicated by brackets. Long pauses can suggest different things e.g. anger, frustration, or stumped for something to say. The numbers in the brackets indicate how long the pause is. A short pause is indicated by (.)
Overlapping speech
Word [word
           [word
Two people talking at once can be difficult to transcribe. Here’s an example:
Person 1: I saw Attack the Block last night it was [totally a – mazing
Person 2:                                                                       [yeah. I love films like that.
Cut off speech
Wor-
A dash shows that a word has been cut off midway
Unclear Speech
(words) a guess at what might have been said if it is unclear
()            Unclear talk, where it is impossible to work out what is said.
Loud Voice
Word            to indicate that a word or phrase is loud, you can underline it.
Word            to indicate that something is even louder, like a shout, you can put in bold.
Speed of talk
>word word< Arrows pointing inward show faster speech

<word word> Arrows pointing outward show slower speech

Sunday, 16 June 2013

Spoken Language this week

Hello all
This week's lessons are in the PPT below. Homework is on the final slide.
The documents are:
David Crystal
John Humphrys
Clearly, Humphrys' argument could be seen as outdated, but this is actually a perfect point for your argument. Technology changes multi-modal communication. The QWERTY keyboard on smartphones ensures that it is actually more difficult to write in 'text speak'. However, the fact that it did exist has changed the way we communicate. We still do use many of the features of that JH's argues against. Have you ever written tbh, lol or btw? Have you ever used an emoticon to show to someone that your point is friendly, you feel awkward etc? As much as many of you are resistant to the idea that you may use this, as you put it, 'chav' language (I have many objections about the word Chav, which I will happily to talk to you about), I should imagine that almost all of you use some sort of features to replicate poken language in your digital communication...
This is such a fun unit!
Ms :)

Saturday, 18 May 2013

Some final points on our texts


Hi Y10
Right, a few things in this post then.  Some general advice, comparative points, a little bit on tragedy and an example.
The most common errors:
Be specific about the emotion (love and hate are both emotions).
Err. Hello? Mary Shelley... Shakespeare. If you write about the characters, you write as if they are real and this limits your analysis. MS and S names should be littered throughout your essay.
Upgrade your topic sentences.
Focus on the quotation. (Groan!) Pick and word out and analyse it.  (10% of your GCSE is this alone.)
Link your context to the quotation precisely.
Don’t say very. It’s the ‘nice’ of analysis.
Romantics. Romanticism. Capital letter please (otherwise, you’re talking more red roses and candlight!)
Sweeping statements. Much better to say: I could be seen. This suggests. This connotes.
If one more person writes constantly, I might just give it all up...
Comparative elements
       Pathetic Fallacy
       Settings
       The Gothic
       Voices – Soliloquy and Narrative voice
       Imagery
       Tragic structure
       Recurring Motifs
       Religious beliefs/Christianity/ Biblical language/Paradise Lost
       Hallucinations
       Character physical reactions and manifestations of fear
       Supernatural
       Consequences of actions
       ‘Vaulting ambition’
       Rhetoric ( Rhetorical questions, balanced phrases that becomes fragmented)
       Natural world/ order
       Babies, innocence , new born, corrupted by man
Tragedy
A tragedy is a drama or literary work in which the main character is brought to ruin or suffers extreme sorrow, especially as a consequence of a tragic flaw, moral weakness, or inability to cope with unfavourable circumstances (from dictionary.com). You can see how we can apply this to our texts.
A classic tragedy (Aristotle’s Poetics) has a number of common features.
Firstly, you have a hero. Their status is established as high (been better to see higher status fall from Ancient Greece to Closer magazine...) Don’t get confused with hero – it doesn’t mean good. This character has hubris; essentially, they are arrogant. They also have a fatal flaw that leads to their downfall; this is called hamartia. They realise this flaw has caused great suffering, anagnorisis, but it’s too late as death is inevitable. Often this is the turning point, peripetia, that leads the play to its tragic denouement, but not always so. Through this, pity and fear are provoked in the audience until we come to the catharsis where we are purified by the play that we have seen. We leave better people!
There are some other points, like the three unities and a cart to wheel dead bodies off, but this is the basic structure. A (usually noble) hero is arrogant and has some flaw that makes them do something awful. This causes their downfall and they realise this too late and die probably with other people.
You should be able to see how you can relate this to the texts. Is Frankenstein a tragic novel? It’s a good point of comparison, but very much an extension and not something you need to worry about.

Example paragraph.
Shakespeare uses classical references to show the intensity of Macbeth’s remorse and this illustrates his desire to be King as damaging from the start. As soon as Macbeth has murdered Duncan, Shakespeare shows his language is regretful: ‘Will all great Neptune's ocean wash this blood Clean from my hand?’ The immediacy of Macbeth’s guilt and regret is made apparent with a direct link to the metaphor of having blood on your hands. This metaphor is repeated throughout the play as Lady Macbeth sees an immovable ‘spot’ on her hand and, when Macbeth’s downfall  is imminent later in the play, McDuff says that ‘[Macbeth’s] secret murders [are]sticking on his hands’. Here, Shakespeare shows the tragic outcome as inevitable because Macbeth will not be able to wash his hands clean and he seems to know that this will end in his own death. Furthermore, the classical reference to ‘Neptune’ conveys a sense of prayer to the language and the rhetorical question accentuates the intensity of his fear.  It also gives a hyperbolic exclamation of Macbeth’s remorse as the water will literally be able to wash his hands. As Neptune is the God of the sea, known to the Jacobean audience, not the Christian god the audience would have also viewed this with suspicion as it was an intensely religious time; Shakespeare uses this reference to show how Macbeth has also gone against the Christian god by going against the Divine Right of Kings and this places him alongside the evil witches. His appeal to ‘Neptune’ shows how far ‘Brave Macbeth’ has fallen; Shakespeare shows how this outrageous sin will ‘stick’ as such a blasphemous act can only result in a gruesome demise and the character dramatically shows confusion and horror at this prospect.
As ever, let me know if you need anything.
Ms

Saturday, 27 April 2013

Comparison

Dear Y10

We are now at the stage where we are comparing our texts.

During this task we have had a focus on analysing language - that's because you get more marks for it! We've done this through mind-mapping, which is an incredibly useful revision tool. These should look something like this (please note, some of the sentences aren't quite right - it's hard to see in a small box in PowerPoint!):

























These are what you need to turn to in your quest for connections homework. You only need to find two quotations (one from each text), but I am expecting you to know the connections well; basically, be able to explain them verbally.

There are a range of different connections here. You could connect by theme, perhaps the subversion of nature, or by the presentation of characters or emotion. You could also Find connections through the Gothic - the choice is yours and will therefore lead to a full range of connection (this is perceptive you see and the highest band work).

Do let me know if you have any problems.

Best wishes,
Ms

Sunday, 31 March 2013

Holiday Homework


Happy Easter Y10!

This holiday your homework is to fully annotate your booklet.You're looking for emotion and make sure it is detailed showing layers of meaning.  If you do not have it, THE CONTROLLED ASSESSMENT BOOKLET IS AVAILABLE: CLICK HERE.

I'm not expecting you to be able to translate this on your own. Use the wealth of information on the web - you'll have to be able to do this for independent study; in short, this search itself is a useful learning experience for you. See previous post for links.

Should be simple enough! Let me know if you have any problems: you can leave a comment and it will email me.

Ms :)